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White Teeth, by Zadie Smith
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Zadie Smith's White Teeth is a classic international bestseller and an unforgettable portrait of London One of the most talked about fictional debuts ever, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book. 'Funny, clever ... and a rollicking good read' Independent 'An astonishingly assured d�but, funny and serious ... I was delighted' Salman Rushdie 'The almost preposterous talent was clear from the first pages' Julian Barnes, Guardian 'Quirky, sassy and wise ... a big, splashy, populous production reminiscent of books by Dickens and Salman Rushdie ... demonstrates both an instinctive storytelling talent and a fully fashioned voice that's street-smart and learned, sassy and philosophical all at the same time' New York Times 'Smith writes like an old hand, and, sometimes, like a dream' New Yorker 'Outstanding ... A strikingly clever and funny book with a passion for ideas, for language and for the rich tragic-comedy of life' Sunday Telegraph 'Do believe the hype' The Times 'Relentlessly funny ... idiosyncratic, and deeply felt' Guardian
- Sales Rank: #2175 in Audible
- Published on: 2007-07-11
- Format: Unabridged
- Original language: English
- Running time: 1401 minutes
Amazon.com Review
Epic in scale and intimate in approach, White Teeth is a formidably ambitious debut. First novelist Zadie Smith takes on race, sex, class, history, and the minefield of gender politics, and such is her wit and inventiveness that these weighty subjects seem effortlessly light. She also has an impressive geographical range, guiding the reader from Jamaica to Turkey to Bangladesh and back again.
Still, the book's home base is a scrubby North London borough, where we encounter Smith's unlikely heroes: prevaricating Archie Jones and intemperate Samad Iqbal, who served together in the so-called Buggered Battalion during World War II. In the ensuing decades, both have gone forth and multiplied: Archie marries beautiful, bucktoothed Clara--who's on the run from her Jehovah's Witness mother--and fathers a daughter. Samad marries stroppy Alsana, who gives birth to twin sons. Here is multiculturalism in its most elemental form: "Children with first and last names on a direct collision course. Names that secrete within them mass exodus, cramped boats and planes, cold arrivals, medical checks."
Big questions demand boldly drawn characters. Zadie Smith's aren't heroic, just real: warm, funny, misguided, and entirely familiar. Reading their conversations is like eavesdropping. Even a simple exchange between Alsana and Clara about their pregnancies has a comical ring of truth: "A woman has to have the private things--a husband needn't be involved in body business, in a lady's... parts." And the men, of course, have their own involvement in bodily functions: The deal was this: on January 1, 1980, like a New Year dieter who gives up cheese on the condition that he can have chocolate, Samad gave up masturbation so that he might drink. It was a deal, a business proposition, that he had made with God: Samad being the party of the first part, God being the sleeping partner. And since that day Samad had enjoyed relative spiritual peace and many a frothy Guinness with Archibald Jones; he had even developed the habit of taking his last gulp looking up at the sky like a Christian, thinking: I'm basically a good man. Not all of White Teeth is so amusingly carnal. The mixed blessings of assimilation, for example, are an ongoing torture for Samad as he watches his sons grow up. "They have both lost their way," he grumbles. "Strayed so far from what I had intended for them. No doubt they will both marry white women called Sheila and put me in an early grave." These classic immigrant fears--of dilution and disappearance--are no laughing matter. But in the end, they're exactly what gives White Teeth its lasting power and undeniable bite. --Eithne Farry
From Publishers Weekly
The scrambled, heterogeneous sprawl of mixed-race and immigrant family life in gritty London nearly overflows the bounds of this stunning, polymathic debut novel by 23-year-old British writer Smith. Traversing a broad swath of cultural territory with a perfect ear for the nuances of identity and social class, Smith harnesses provocative themes of science, technology, history and religion to her narrative. Hapless Archibald Jones fights alongside Bengali Muslim Samad Iqbal in the English army during WWII, and the two develop an unlikely bond that intensifies when Samad relocates to Archie's native London. Smith traces the trajectory of their friendship through marriage, parenthood and the shared disappointments of poverty and deflated dreams, widening the scope of her novel to include a cast of vibrant characters: Archie's beautiful Jamaican bride, Clara; Archie and Clara's introspective daughter, Irie; Samad's embittered wife, Alsana; and Alsana and Samad's twin sons, Millat and Magid. Torn between the pressures of his new country and the old religious traditions of his homeland, Samad sends Magid back to Bangladesh while keeping Millat in England. But Millat falls into delinquency and then religious extremism, as earnest Magid becomes an Anglophile with an interest in genetic engineering, a science that Samad and Millat repudiate. Smith contrasts Samad's faith in providence with Magid's desire to seize control of the future, involving all of her characters in a debate concerning past and present, determinism and accident. The tooth--half root, half protrusion--makes a perfect trope for the two families at the center of the narrative. A remarkable examination of the immigrant's experience in a postcolonial world, Smith's novel recalls the hyper-contemporary yet history-infused work of Rushdie, sharp-edged, fluorescent and many-faceted. Agent, Georgia Garrett. (May)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Smith (recently profiled in an issue of The New Yorker) has written an epic tale of two interconnected families. It begins with the suicide attempt of hapless, coin-flipping Archibald Jones on New Year's Day, 1975, and ends, after a 100-year ramble back and forth through time, on New Year's Eve, 1992, with his accidental (or preordained?) release of a poor mutant mouse programmed to do away with the randomness of creation. Smith evokes images of teeth throughout the novel. Do they symbolize some characteristic shared by all of humanity in this novel about ethnicity, class, belonging, homeland, family, adolescence, identity, blindness, and ignorance? Or are they meant to distract the reader from the all-encompassing theme of fate? Smith's characters are tossed about by decisions made deliberately, rashly, or by the flip of a coin. As Smith pieces together this story with bits of fabric from different times and places, the reader must contemplate whether our choices determine our future or whether fate leads us to an inevitable destiny. This fine first novel from Smith is most highly recommended for all libraries.
---Rebecca A. Stuhr, Grinnell Coll. Libs., IA
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Excellent
By V Watson
This was a really great novel. I am a bit puzzled by some of the luke-warm reviews that I've read on Amazon. Please do not be discouraged from reading White Teeth yourself.
The novel follows characters from three main families --the Jones, Iqbals and Chalfens--creating a narrative that spans multiple generations, and relationships. However the expansive ambition of the plot does not way down the novel as the reader is treated to Zadie Smith's wit and imperfect yet endearing characters. My absolute favorite part of this book was the dialog between characters which often times had me laughing out loud (something I rarely do when I read).
White Teeth is a fantastic reflection on friendships, families, the clashing and blending of culture and the ways in which one generation affects the trajectories of the next.
1 of 1 people found the following review helpful.
Ordinary people, extraordinary events
By Amazon Customer
One would like to think that we can control where our lives take us. There are too many unexpected events that make this a difficult task-----our parentage, our marriages, our children, our culture, our jobs, our belief systems, and on and on. The array of people in this book are both both helpless victims of their life circumstances , but also architects who shape their lives often leaving themselves disappointed and enraged. I'm giving this story 3 1/2 stars. Zadie Smith writes with a breathless intensity and likewise develops colourful , complicated fully fleshed out characters. The intensity of idea in this book leaves the reader breathless and sometimes frustrated. All the characters are flawed, and often unlikable. This book is so chock full of ideas & relationships that this becomes the source of the readers frustration---the immigrant experience, marriage, work, war, friendship, parent/child relationships, the male/ female battles, science vs religion , and so on. For sure, the author has an amazing gift for language and bringing her characters to life.
4 of 4 people found the following review helpful.
Plot – 2, Characters – 3, Theme – 4, Voice – 4, Setting – 4, Overall – 4
By One Guy's Opinion
1) Plot (2 stars) – If taken linearly, White Teeth is the story of two unlikely battalion mates thrown together during the Second World War, who proceed to marry much younger women during their mid-life crises years, sire offspring who become entangled, and it all culminates in an anti-climactic mess of familial fears and hopes and regrets. But it’s not linear. Smith jumbles this narrative, rearranging the pieces to make an interesting collage. But an interesting collage cannot substitute for a plot. And the lack of tension, purpose, and destination made me dawdle in my reading, just consuming a few pages here and there, until I disinterestedly turned the last page over two months later.
2) Characters (3 stars) – Archibald is the go with the flow co-lead, perhaps finding purpose in a younger woman after a failed suicide attempt. Samad is the serious scholar, feeling cheated by his immigrant’s lot in life. Sprinkled between them are wives and daughters and sons. All are unusual, and the dialogue and accents make them seem mostly real. But, their goals are so flimsy and their character so weak, it made it hard for me to enthusiastically follow them.
3) Theme (4 stars) – I believe Smith’s main message is about immigration. About how lost it makes those who do it feel, how it turns their kids into strangers, and how it leaves for those kids a hodgepodge of morals to try to piece together to form some sort of path for life.
4) Voice (4 stars) – This for me was the highlight of the book, and why I kept reading. Smith’s prose is energetic, playful, insightful, and creative. The smallest of details are made fresh and interesting when described through her pen. The only reason I wouldn’t give this component 5 stars is that I felt like 20% of the book could have been edited away and not lost anything. If it were streamlined just a bit, I think it would hold its own against the masters of the last century.
5) Setting (4 stars) – London. But not the rich center of global commerce. Instead, it’s about the mishmash of flotsam that stick to the rich core. The Caribbeans, the Muslims, the poor white blokes. All mashed together. It was really done quite well, and made me feel like I was transported to the bars, the homes, the schools.
6) Overall (4 stars) – This was a tough one. On the one hand, you have a book with almost no plot and characters with little redeeming traits. On the other, you have an amazing snapshot of multicultural life, captured in fresh and often beautiful prose. In the end, I think the pros outweigh the cons in this book, and I would recommend it.
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