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The Performance of Becoming Human, by Daniel Borzutzky
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Poetry. Latino/Latina Studies. 2016 National Book Award Winner. Following in the path of his acclaimed collections THE BOOK OF INTERFERING BODIES (Nightboat, 2011) and IN THE MURMURS OF THE ROTTEN CARCASS ECONOMY (Nightboat, 2015), Daniel Borzutzky returns to confront the various ways nation-states and their bureaucracies absorb and destroy communities and economies. In THE PERFORMANCE OF BECOMING HUMAN, the bay of Valparaiso merges into the western shore of Lake Michigan, where Borzutzky continues his poetic investigation into the political and economic violence shared by Chicago and Chile, two places integral to his personal formation. To become human is to navigate borders, including the fuzzy borders of institutions, the economies of privatization, overdevelopment, and underdevelopment, under which humans endure state-sanctioned and systemic abuses in cities, villages, deserts. Borzutzky, whose writing Eileen Myles has described as "violent, perverse, and tender" in its portrayal of a "kaleidoscopic journey of American horror and global horror," adds another chapter to a growing and important compendium of work that asks what it means to a be both a unitedstatesian and a globalized subject whose body is "shared between the earth, the state, and the bank."
"Like any good satirist, Borzutzky considers his subjectivity with the same lens he applies to the systems he critiques, and THE PERFORMANCE OF BECOMING HUMAN is an apogee of that inquiry. Since THE BOOK OF INTERFERING BODIES, Daniel Borzutzky has been the fabulist we most need because he's unafraid to detail the truth of our oligarchy, without pedantry. In his figurative world our bodies are forced through privatized meat grinders, but funnily in the way that all dark horror stories trigger our gallows humor. I'm thrilled every time Borzutzky brings a book in the world, learn the most about reality from him."―Carmen Giménez Smith
"In this canticle for the age of listicles, Daniel Borzutzky performs a new political poetry in the crucible of 'overdevelopment,' when 'The city has disappeared into the privatized cellar of humanity.' Here, the socially engaged bro-poet is mercifully broken, relieved of his epic monumentality, and with it of a range of foundational fictions (nation/family/language/subject), leaving behind these gut-cantos (songs/fragments), detestimonios of a spectral self, at once buzz-fed and cankerously/cantankerously embodied. (You can't spell 'Neruda' without 'nerd' and Canto General never rocked 'The Gross and Borderless Body.') The ugly majesty of these prose blocks echoes the windswept expanses of neoliberal Chile and Chicago, their dead and their debt, their surrender and struggle. To read 'this book that is a country deposited not in your heart but in your mouth' is to confront becoming human as speech act, as language game, and to know the freedom and the terror of doing so. The painbeauty of Borzutzky's virtuoso, multi- register flow (abject punchlines included) is also a counter-flow to the death drive of capital, sentences for a radical sentience."―Urayoán Noel
- Sales Rank: #78552 in Books
- Published on: 2016-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .26" w x 6.00" l, .0 pounds
- Binding: Paperback
- 98 pages
Review
"Borzutzky is aware that 'creative consultants waiting to turn this misery into poetry' are always waiting in the wings. This is in keeping with the broader Orwellian inversions and distracting gimcracks of the late capitalist police state he describes, where we sext and Skype and surf the experiences of others far away as authorities instruct us when to laugh and when to applaud. The dystopia here results from the very juxtaposition that is the hope of those migrants dying of thirst in the desert: a world of lack versus a world of absurdly overflowing plenty; a world numb-drunk on accumulated resources versus a world heightened in awareness by its own starvation. But that already romanticizes and reduced; Borzutzky is too clever, in any case, to speak for those who lack."—decomP
"Borzutzky's poetry is part Orwellian nightmare and part politicized call to arms regarding the very real state of the world. The bodies in his collection are bordered. They are have been conquered and militarized. They have been dumped into gulags to fester...Borzutzky manages to instill a hope in his readers that although we remain trapped in our putrid and failing bodies, we, too, will succeed in our spiritual mission to persevere."—American Microreviews & Interviews
"Daniel Borzutzky makes writing about bureaucratic nation-states interesting. We, as the reader, observe communities utterly destroyed, and we are left to question why and how and why and how humans let this happen. In particular, the bay of Valparaiso merges into the western shore of Lake Michigan, which exemplifies the horrors that happen on American soil and international soil alike—and how they are connected—and drawing the lines between the personal and political poignantly. This is a collection not to miss.”—Luna Luna
"The book, with its unflinching look at our corporatized lives and its condemning critique of the poet's role in it, makes a serious charge. We can choose for ourselves how to answer—but we each must answer."—Center for Literary Publishing
"What I loved best was the volume's secret insistence that we should not think of it as a typical book of discrete poems, presented in that all-too-familiar scroll show of a poet's various secretions, pressed down onto a series of microscope slides. No, there is something more, some controlling arc or vision."—The Brooklyn Rail
About the Author
Daniel Borzutzky's books and chapbooks include, among others, IN THE MURMURS OF THE ROTTEN CARCASS ECONOMY (Nightboat Books, 2015), Bedtime Stories for the End of the World! (Bloof Books, 2015), Data Bodies (2013), THE BOOK OF INTERFERING BODIES (Nightboat Books, 2011), and THE ECSTASY OF CAPITULATION (BlazeVOX [books], 2006). He has translated Raúl Zurita's THE COUNTRY OF PLANKS (Action Books, 2015) and SONG FOR HIS DISAPPEARED LOVE (Action Books, 2010), and Jaime Luis Huenún's PORT TRAKL (Action Books, 2008). His work has been supported by the Illinois Arts Council, the National Endowment for the Arts, and the Pen/Heim Translation Fund. He lives in Chicago.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A heavily mixed collection, but holds extreme promise nonetheless
By C. D. Varn
Daniel Borzutsky's poetry here is breathless, dystopian, and largely stream of consciousness. Borzutsky's Chilean-Jewish background informs some of the poems which make narrative illusions and historical illusions rich in that history. His third volume of poetry, this particular choice for the National Book Award is interesting in that it deeply political, but almost feels like its from another time and aesthetic period than now. Borzutsky's long lines remind one of Whitman, but his blurring and convoluting of events, his dystopian settings, and his dark social commentary run contrary to that particular impulse. The title, an illusion to Kafka's "A Report to an Academy," informs us of the strange and familiar as well as the absurd and poignant or the gruesome and touching all cut through the work. It's intense, allusive, and deserves several readings, but that very intensity and primal scream element actually makes several readings somewhat hard. Not for the easily exhausted in either content or form, this is a book of poetry like Pasolini's Salo is a film: returning to it makes it richer, but its intensity makes that return daunting. One major criticism is that the intensity of the style and use of long lines makes poems blur together immediately after reading--this seems like an intended affect, but does make it hard to write about. Some changes in style or form could have made the collection a little less daunting. This poems are hard because life can hard, precarious, biting; and while not without humor, Borzutsky's humor is so dark that it isn't necessarily a relief. I am torn on this volume, but I will reading Borzutsky in the future.
0 of 0 people found the following review helpful.
Asking questions without question marks
By Glynn Young
“The Performance of Becoming Human” by Daniel Borzutzky won the 2016 National Book Award for poetry. Last year was a highly politicized year, and it’s no surprise that this award went to a collection that’s also highly politicized.
Borzutzky covers it all.
Refugees and immigrants. The environment. Third World sweatshops. (Do you know the people who made your t-shirt? Do you have a relationship with them? Borzutzky asks). Torture. Illegal aliens. Unsafe working conditions. Wastewater treatment plants. Malnourished children. Police issues. The production of garbage. Violence.
The style is simple and plain, leading to a more devastating critique, a more devastating impact.
As you read this generally long poems (the collections contains a total of 18 poems), you discover you have entered a dystopic world, or perhaps you’ve been living there all along, and these poems are forcing you to confront that reality. Here is one of the shorter poems in the collection, and at first it seems almost a break in the political narrative.
Dream Song #17
They took my body to the forest
They asked me to climb a ladder
I did not want to climb a ladder
But the forced me to climb the ladder
If you don’t climb the ladder
we will bury you in the mud
I had to decide should I die
by hanging or by burial
I climbed the ladder and they wrapped
a belt around the thick limb of a tree
And when I could no longer breathe
they tossed me into a stream
And I floated to the edge of the village
where someone prayed for my soul
It’s like this in a lullaby
for the end of the world:
The options for the end
are endless
But this is not really a lullaby
for the end of the world
It’s about the beginning
what happens when we start to rot
in the daylight
The way the light shines on
the ants and worms and parasites
loving our bodies
It’s about the swarms of dogs
gnawing our skin and bones
Do you know what it’s like
when a ghost licks your intestines
To avoid the hole
the children must sing sweetly, softly
To avoid the hole
they must fill their songs with love
When you consider the poem in its context in the collection, it assumes another kind of meaning. It follows a poem about Third World sweatshops, and it precedes a poem about torture and violence. And you realize that it is describing what happens to dissenters and especially in dictatorships (the poems include references to both Argentina’s Dirty War against the left wing from 1974 to 1983 and what happened in Chile with the fall of the Salvador Allende regime in 1973 (Borzutzky’s parents are from Chile).
Borzutzky has published a collection of stories, “Arbitrary Tales” (2005); three collections of poetry, including “The Ecstasy of Capitulation” (2007), “The Book of Interfering Bodies” (2011), and “The Performance of Becoming Human;” and four poetry chapbooks: “Failure in the Imagination” (2007); “In the Murmurs of the Rotten Carcass Economy” (2015); “Data Bodies” (2013); and “Bedtime Stories for the End of the World” (2015). He has translated several works by Chilean authors, including poet Jaime Luis Huenon and the fiction writer Juan Emas. He’s a professor at Wright College in Chicago.
“The Performance of Being Human” asks questions without question marks, questions about politics, about social issues, and about our humanity, what it means and what it can become, or has become.
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
I love it.....
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