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The content of this material is intended to practice the learners in the most important basic structures taught in the Spanish Language Booklet – Level 1. The exercises created for this work booklet cover the most common Spanish structures in topics like: Introduce yourself; Genre and Number in Spanish; Professions And Nationalities; the Verbs �SER� and �ESTAR�; the conjugation of Regular Verbs; the Indirect And Direct Pronouns; the Pronominal Verbs; the Possessive Adjectives and Pronouns; the Verbs �SABER� And �CONOCER�; the Irregular Verbs in Spanish; the Uses of �SER� And �ESTAR�; the Gerund in Spanish; the Future Tense In Spanish; and the Conditional Tense.

• Sales Rank: #11641250 in Books
• Published on: 2013-07-05
• Original language: English
• Dimensions: 9.00" h x .19" w x 6.00" l,
• Binding: Paperback
• 80 pages

About the Author
Diosdado Corrales is an experienced qualified and expert-online-instructor of Spanish language at the comfort and convenience of his students. He is native Spanish speaker, born in Havana, Cuba. He is a Certified Spanish Teacher by the State of Florida Department of Education. Mr. Corrales is graduated as Spanish Language Instructor at Havana University, Cuba, with specialization in teaching of foreign languages; he is also graduated as Russian Language Instructor at Havana University, Cuba, with specialization in teaching of foreign languages; Corrales took French classes at the Alliance Fran�aise in Havana, Cuba. Mr. Corrales has more than 40 years of teaching experience at all levels. He has taught in Cuba, Canada, and United States; he has designed and taught several Spanish language courses at different levels in his country of birth, Canada, and USA as well. Diosdado Corrales was approved as Course Provider by Ontario College of Teacher for Professional Learning Program in Toronto, Canada. He is experienced in designing and teaching Spanish courses for English, French and Russian speaking people. Mr. Corrales has published various booklets at Amazon: Spanish Language Booklet – Level 1, Spanish Language Booklet – Level 1 for Russian speakers, Spanish Language Booklet – Level 2, Spanish Language Booklet – Intermediate Level, Spanish Language Booklet – Advanced Level; several booklets under the name �Practicing Spanish based on Comics – Condorito�, �Practicing Spanish based on Songs�, and �Practicing Spanish based on Soap Operas� Diosdado Corrales is Online Spanish Language Instructor for Florida Virtual School (Franchise). His online lessons are tailored and structured to meet the learner’s individual needs and cover most frequent Spanish structures, grammar, conversation, listening, communication, reading and writing focused on critical thinking.

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[R536.Ebook] Ebook Lehren kompakt I: Von der Fachperson zur Lehrperson (hep Wissenschaft konkret) (German Edition), by Ruth Meyer, Flavia Stocker

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Dieses E-Book enth�lt komplexe Grafiken und Tabellen, welche nur auf E-Readern gut lesbar sind, auf denen sich Bilder vergr�ssern lassen.
Unterrichten Sie in der beruflichen oder pers�nlichen Weiterbildung? M�chten Sie Ihre Lehrt�tigkeit verbessern und lustvoller gestalten? Suchen Sie nach sofort umsetzbaren didaktischen und methodischen Hinweisen? M�chten Sie genauer wissen, wie Erwachsene beim Lernen unterst�tzt werden k�nnen? Dieses Buch enth�lt praktische Anregungen zu: Lernen Erwachsener - Rollen und Aufgaben von Lehrpersonen - Unterrichtsplanung - Lernziele und Kompetenzen - didaktische Reduktion - methodische Gestaltung des Theorieunterrichts - Individualisieren - Steuerung von Lerngruppen

• Sales Rank: #3972373 in eBooks
• Published on: 2012-11-01
• Released on: 2012-11-01
• Format: Kindle eBook

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[U713.Ebook] Ebook Wide Sargasso Sea (Penguin Clothbound Classics), by Jean Rhys

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A gorgeous clothbound edition of Jean Rhys's great masterpiece of desire and madness in the Caribbean, published for the novel's fiftieth anniversary. Born into the oppressive, colonialist society of 1930s Jamaica, white Creole heiress Antoinette Cosway meets a young Englishman who is drawn to her innocent beauty and sensuality. After their marriage, however, disturbing rumours begin to circulate which poison her husband against her. Caught between his demands and her own precarious sense of belonging, Antoinette is inexorably driven towards madness, and her husband into the arms of another novel's heroine. This classic study of betrayal, a seminal work of postcolonial literature, is Jean Rhys's brief, beautiful masterpiece. 'She took one of the works of genius of the nineteenth century and turned it inside-out to create one of the works of genius of the twentieth century' Michele Roberts, The Times

• Sales Rank: #684174 in Books
• Published on: 2016-11-22
• Released on: 2016-11-22
• Format: International Edition
• Original language: English
• Dimensions: 8.07" h x .78" w x 5.32" l, .81 pounds
• Binding: Hardcover
• 192 pages

Amazon.com Review
In 1966 Jean Rhys reemerged after a long silence with a novel called Wide Sargasso Sea. Rhys had enjoyed minor literary success in the 1920s and '30s with a series of evocative novels featuring women protagonists adrift in Europe, verging on poverty, hoping to be saved by men. By the '40s, however, her work was out of fashion, too sad for a world at war. And Rhys herself was often too sad for the world--she was suicidal, alcoholic, troubled by a vast loneliness. She was also a great writer, despite her powerful self-destructive impulses.

Wide Sargasso Sea is the story of Antoinette Cosway, a Creole heiress who grew up in the West Indies on a decaying plantation. When she comes of age she is married off to an Englishman, and he takes her away from the only place she has known--a house with a garden where "the paths were overgrown and a smell of dead flowers mixed with the fresh living smell. Underneath the tree ferns, tall as forest tree ferns, the light was green. Orchids flourished out of reach or for some reason not to be touched."

The novel is Rhys's answer to Jane Eyre. Charlotte Bront�'s book had long haunted her, mostly for the story it did not tell--that of the madwoman in the attic, Rochester's terrible secret. Antoinette is Rhys's imagining of that locked-up woman, who in the end burns up the house and herself. Wide Sargasso Sea follows her voyage into the dark, both from her point of view and Rochester's. It is a voyage charged with soul-destroying lust. "I watched her die many times," observes the new husband. "In my way, not in hers. In sunlight, in shadow, by moonlight, by candlelight. In the long afternoons when the house was empty."

Rhys struggled over the book, enduring rejections and revisions, wrestling to bring this ruined woman out of the ashes. The slim volume was finally published when she was 70 years old. The critical adulation that followed, she said, "has come too late." Jean Rhys died a few years later, but with Wide Sargasso Sea she left behind a great legacy, a work of strange, scary loveliness. There has not been a book like it before or since. Believe me, I've been searching. --Emily White

Review
“A considerable tour de force by any standard… A triumph of atmosphere.” (New York Times Book Review)

“The distillation of [Rhys's] life and craft… Nowhere is her prose more supple, more assured.” (Sara Paretsky - “You Must Read This,” NPR)

“Working a stylistic range from moody introspection to formal elegance, Miss Rhys has us traveling under Antoinette’s skin. It is an eerie and memorable trip.” (The Nation)

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1 of 1 people found the following review helpful.
Wow!
By None
Incredible. I first read Good Morning Midnight after hearing how Rhys could write her way into the reader and lodge there like a ghost, but that book left me disappointed.

I've read Jane Eyre (not required reading for Wide Sargasso Sea) and liked it, so decided to try Rhys again and was bowled over by this book!

If you want to be haunted by what you read to the point where the characters, imagery and overall feeling of the work follow you around for days afterward, Wide Sargasso Sea is the book for you. This is the Jean Rhys I was looking for. Hats off to her. Short, but tremendous.

0 of 0 people found the following review helpful.
Wide Sargasso Sea by Jean Rhys is a free NetGalley ...
By Kristine Fisher
Wide Sargasso Sea by Jean Rhys is a free NetGalley ebook that I read in late May while on vacation in Telluride, Colorado.

Once I was aware that this book was a prequel to Jane Eyre about the mad, passionate first wife of Mr Rochester, nothing would keep me from it - outside of a penny-priced copy of it being available on Amazon and it spending months & months stowed away in my bookshelf. So, after much ado, I dove in. It's a little disorienting to read between its dual narration and Antoinette's aggressive, spiteful prose, but it also reminds me of Alice Hoffman's A Marriage of Opposites headstrong heroine and her plight to know herself and who to trust in an almost anti-paradise.

0 of 0 people found the following review helpful.
Was hard to read for me. I couldn't get ...
By chichi8980
Was hard to read for me. I couldn't get a rhythm on the style of speaking and writing. So many characters were introduced at once so I couldn't keep them straight

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The White Man in the Tree is a comedy of cultural misunderstandings set in the Caribbean, New York, and Paris, a novella and eight stories about people who, because of their differences, misjudge each other. Whether it is a sophisticated European filmmaker, an ambitious young black Haitian woman, a promising politician obsessed with women's feet, or a fish-out-of-water rabbi in search of a kosher chicken in Cura�ao, each of Kurlansky's characters engages us with impulses and interactions that are by turns comic, insightful, and poignant. The White Man in the Tree is an affectionate portrait of a unique society, where Europe, America, Africa, and Asia meet Latin America.

• Sales Rank: #1993889 in Books
• Brand: Brand: Washington Square Press
• Published on: 2001-09-01
• Released on: 2001-09-01
• Original language: English
• Number of items: 1
• Dimensions: 7.25" h x .80" w x 5.13" l, .79 pounds
• Binding: Paperback
• 336 pages

Features

• ISBN13: 9780671036065
• Condition: New
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From Publishers Weekly
Kurlansky is best known for such quirky nonfiction surprise bestsellers as Cod and The Basque History of the World and here turns his hand for the first time to fictionAwhich won't make the same market splash as his earlier, offbeat offerings, but should produce some ripples. The author was for many years a newspaper correspondent in the Caribbean, and an intimate knowledge of the islands and their sometimes peculiar approaches to life and ways of doing things permeates these affectionate and often wryly amusing tales. The title story is a delicious fable about a Danish filmmaker who thinks he has found nirvana with a beautiful Haitian mistress, only to discover that her views of the possibilities of the relationship are profoundly different. "The Unclean" tells of efforts to produce kosher chickens for a Dutch West Indies island, and the confusions that result. "Naked" is a sweetly satirical account of the political bureaucracy at work in the wake of an island hurricane. "Beautiful Mayaguez Women," set in Puerto Rico, details some of the odder corners of labor relations and cross-dressing on the island. "Packets and Paperscraps" is a perceptive and poignant story of an island stud and his problems with the arrival of AIDS precautions. Only "Desparecidos," an unsettling tale of a journalist traveling around South America who discovers he has a doppelg?nger filing stories in his name, strikes a darker note. But this is basically a sunny collection, lithely written and full of Caribbean sunshine.
Copyright 2000 Reed Business Information, Inc.

From Booklist
Readers familiar with Kurlansky's acclaimed nonfiction will appreciate the dexterity with which he moves into the fiction world. Kurlansky, a former Caribbean news correspondent, uses his considerable knowledge of the area and easily depicts its different nationalities, social classes, and races. In nine short stories and one novella, he offers a bounty of idiosyncratic characters with distinct perspectives on life. In Kurlansky's world, an aspiring politician's voyeurism avalanches into a foot fetish; the men of a small village turn to transvestitism in order to secure employment; and the burgeoning relationship between a Danish filmmaker and his Haitian girlfriend finds itself threatened by both her family and North American multiculturalism. What shines through in all of the stories is Kurlansky's abiding love for his characters. Although he tackles big topics, from the corporatization of Third World countries to the hypocrisy of the religiously devout, Kurlansky never fails to make his characters fully human and sympathetic. Brendan Dowling
Copyright � American Library Association. All rights reserved

Review
The New York Times Book Review Rich, complex, and delicious as the islands themselves, boiling with humanity.

The Boston Globe Mark Kurlansky writes with a quirky verve that makes his books as entertaining as they are enlightening.

Chicago Tribune Funny, touching, and thought-provoking.

Publishers Weekly A sunny collection, lithely written and full of Caribbean sunshine.

Most helpful customer reviews

4 of 4 people found the following review helpful.
(Caribbean) basin full of personalities
By Amazon Customer
Truth is stranger than fiction. Not always. When penned by Mark Kurlansky both are equally extraordinary. Not satisfied with being a Caribbean reporter for the Chicago Tribune, he became a successful non-fiction writer (COD and THE BASQUE HISTORY OF THE WORLD). Now, with THE WHITE MAN IN THE TREE, it's fiction and very obvious that he is equally at ease in the imagination, and also very much at home in the Caribbean.
THE WHITE MAN IN A TREE is a novella and collection of other witty - sometimes wickedly so - short stories; all about life in the Caribbean, principally Haiti, Dominican Republic, Puerto Rico and French Guiana. What makes the book so enjoyable - besides Kurlansky's easy prose and comfort with the vernacular - is how he tackles the sociologically complex and serious issues that arise in such a potent admixture of people, places and cultures. Miscegnation is frought with portents of political correctness; rather than being shied away, Mr Kurlansky uses it as the theme to explore the misunderstandings and mistakes that are the common denominator of the humanly rich and diverse Caribbean.
For anyone who has lived in the area the tales will ring true. The complexity of motives and resulting eccentricity of behaviour that seems so weird to visitors is perfectly captured and explained, with a locals' shrug of the shoulders by Mr Kurlansky. Underlying all is the constant rhythm of the Caribbean sense of humor, which Mr Kurlansky has in abundance and with which he writes with abandon.
Misunderstandings and misjudgements aside, a sense of play is the one thing in common in the Caribbean; a necessary ingredient for living there and required of anybody who wishes to understand the region.

5 of 6 people found the following review helpful.
Can Journalists Write Fiction?
By IsolaBlue
Mark Kurlansky knows the Caribbean. This is evident from his penning of the nonfiction book, A CONTINENT OF ISLANDS which efficiently and knowledgeably introduces the West Indies to those who do not know it and offers reflection to those who are from the region or to those who care about it. In THE WHITE MAN IN THE TREE, Kurlansky tries something different. He writes short stories that take place in different areas of the Caribbean: Haiti, Curacao, Puerto Rico, the Dominican Republic. He works well in this area of fiction, and, as short stories, his succeed. What doesn't work quite as well is that most of the stories sound as though they are inspired from the viewpoint of a journalist and transferred to fiction. Seeing that Kurlansky is a journalist, this is understandable, but there are times when his style doesn't work. The reader can easily become engaged with a story only to feel, halfway through it, that he or she is reading an article from a news magazine. Kurlansky tries to disconcert the reader by presenting misunderstandings and cultural clashes, but there are many times in the stories when one is left feeling uncomfortable as though the author may have gone too far into another's culture. There is too much - socially and politically - that is walking a fine line here. But there is nothing to say that Kurlansky should not be writing of all these different cultures and nationalities. The rule in stepping out of oneself to write as "other" is to know one's subject, and not to portray anything or anyone in an incorrect way. For the most part, Kurlansky is on level ground here; he knows his subject matter. Still, there is a slightly eerie feeling about the entire book of stories that makes the reader think that these are stories that might better have been told in a genre other than fiction.

2 of 2 people found the following review helpful.
Cultural Miscegenation in Paradise
By Gregory D. Curtis
Mark Kurlansky is the gifted author of several nonfiction books, including the extraordinary Cod: A Biography of the Fish that Changed the World, an eye-opening history of the Basques, and, if rumor serves, a forthcoming book on (forget it, you'll never guess) salt. It is therefore deeply unfair - appallingly unfair, really - to discover that he is a sensational, almost sui generic, writer of fiction. The White Man in the Tree, his first published fiction, is so nonfiction-like, so real in the deadpan, straight-ahead, choirboy-innocuous prose Kurlansky has invented, that it is only by conscientiously pinching ourselves every now and then that we can remember it is fiction he has turned his wicked hand to this time out, and not some mind-numbingly bizarre but nonetheless perfectly true story. Or stories. There are ten of them in White Man, each taking as its subject the comic, painful, surreal or just plain silly complications that arise from a form of cultural miscegenation as Euro-American cultures encounter the very different cultures of the Caribbean islands. Because these stories are simultaneously so real and so unreal, they make Kurlanksy's point about cultural and racial misapprehensions in a way that traditional fiction or nonfiction could never hope to achieve. They enlighten without preaching, amuse without humiliating, and establish a truth that is all the more profound and memorable for being just slightly too strange to be fully false.

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