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Light My Fire: My Life with The Doors, by Ray Manzarek
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"The best book yet about The Doors." --Booklist
The inside story of the Doors, by cofounder and keyboard player Ray Manzarek. Includes 16 pages of photos.
"A refreshingly candid read...a Doors bio worth opening." --Entertainment Weekly
No other band has ever sounded quite like the Doors, and no other frontman has ever transfixed an audience quite the way Jim Morrison did. Ray Manzarek, the band's co-founder and keyboard player, was there from the very start--and until the sad dissolution--of the Doors. In this heartfelt and colorfully detailed memoir, complete with 16 pages of photographs, he brings us an insider's view of the brief, brilliant history...from the beginning to the end.
"An engaging read." --Washington Post Book World
- Sales Rank: #141228 in Books
- Brand: Manzarek, Ray
- Published on: 1999-10-15
- Released on: 1999-10-15
- Original language: English
- Number of items: 1
- Dimensions: 8.96" h x 1.00" w x 6.00" l, .93 pounds
- Binding: Paperback
- 384 pages
From Publishers Weekly
Legendary Doors keyboardist Manzarek cannot seem to figure out whether his close friend and bandmate Jim Morrison's wild antics were the result of a poetic desire to push the envelope as far as the singer could, or if the famous 1960s rebel (who died in Paris at the age of 27) was just a gifted drunk. This ambivalence gives rise to an interesting, open-minded chronicle of one man's (Morrison's) alcoholism and its impact on his loved ones. Manzarek surely loved MorrisonAthey were friends and collaborators before either man had met the other two musicians who would complete the Doors's lineup, drummer John Densmore (whom Manzarek claimed Morrison never liked) and guitarist Robby Krieger, who penned "Light My Fire," "Touch Me" and "Love Me Two Times" with little or no help from famed lyricist Morrison. Manzarek takes every opportunity to philosophize about the ills of capitalist America, and he incessantly, passionately alludes to Greek mythology, Hinduism and Christianity when relating tales of his rock band's rise and fall. It's all love, peace, happiness and Morrison, except for the caustic passages regarding Oliver Stone and his big-budget biopic, The Doors, which Manzarek despises. "Grow up and see it like it really is, you fascist," the keyboardist writes at one point, which makes one wonder why Manzarek, an award-winning filmmaker and graduate of the UCLA film school, didn't make the movie himself. 16 pages of photos, not seen by PW.
Copyright 1998 Reed Business Information, Inc.
From Booklist
Manzarek, musical leader of and keyboard player for the Doors, takes us back to the strange days of 1960s L.A. in a striking personal memoir and ode to Jim Morrison. After singer-lyricist Morrison's untimely demise, the band drifted apart, but its music and Morrison's leering public persona get dredged up periodically by new generations of fans. Manzarek and fellow UCLA film graduate, budding poet, and aspiring lizard king Morrison were the band's nucleus, to which Manzarek added guitarist Robby Krieger and drummer John Densmore, whom Manzarek found in a transcendental meditation group. As the Doors, the four captured the orgiastic mood of the Age of Aquarius, L.A. style, by mixing mystical lyrics and extended musical jamming with the signature sound of Manzarek's carnival-like electric keyboard stylings. They enjoyed a commercial success rooted in the singles charts, which provoked dismissive criticism from the album-oriented rock-critic cognoscenti of the time. Manzarek posits that if Morrison had not fallen in with the wrong crowd (a problem then as now), he would have enjoyed an enduring career either as poet or rocker (like, perhaps, Henry Rollins?). Literate, perceptive, and thoughtful, this is the best book yet about the Doors and their legendary singer, not to mention Manzarek, and may be the best rock bio of the year, on a par with Dave Davies' Kink last year. Mike Tribby
From Kirkus Reviews
If anyone were to write a Jim Morrison tell-all, band- and soulmate Manzarek would be the man. But, to his everlasting credit, he didn't. Using his Doors experiences as the hook, Manzarek reels readers in with personal, often charming, if occasionally cloying, reflections on his life before, during, and since the Doors. He begins with his childhood in a working-class Chicago neighborhood, where his parents introduced him to the sensuous pleasures of the blues and meat-eating (a recurring themedon't ask). Later he attended UCLA film school, where he met Morrison. From there, the two lives followed parallel paths to different destinations. Manzarek, the more responsible (or less volatile), met and married his sweetheart, Dorothy, his wife to this day. Morrison became the band's charismatic front man whose fixation with nihilism and violent imagery, when mated to his heavy drinking and drug use, created what Manzarek calls ``Jimbo,'' a sociopathic, drunken brute, ``a monster. . . . the creature who eventually took Jim to Paris and killed him.'' Rather than luxuriate in the sordid details of Morrison's self-destruction, however, the author mostly prefers to revel in the giddy pleasures of life with the band: the genteel poverty of the early days; camaraderie and bickering among Doors members while on tour; success as known at the top; and even the truth about the Doors' ill-starred 1969 concert in Miami (for the record, Morrison never exposed himself). If Manzarek feels any rancor over the end of the Doorshe claims that Jim's 1971 sojourn in Paris was a hiatus, not a break-upit is directed toward the hangers-on who steered Morrison down his path to self-smashing. Although Manzarek does reserve choice words for the director of the Doors movie, Oliver Stone, such as ``fascist,'' ``psychotic,'' and ``bonehead.'' Whatever. Even these screeds make this pop-culture memoir more engaging. (16 pages b&w photos, not seen) -- Copyright �1998, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Pretentious Ray
By S. Watkins
Pretentious and arrogant. Mostly an attempt to make it look like he was Jim Morrisons only friend and take shots at John Densmore. For someone who claims to have a genius IQ (he actually spouts IQ numbers) his writing is juvenile and amateurish. Without a doubt the worst Doors book I've read. Don't even get me started on his over use of the term WASP. This book was just a way for a pompous ass to take shots at those he despises.
2 of 2 people found the following review helpful.
Intellectual, Psychedelic & The Desert Song
By R. Schwartz
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What impressed me very much about Ray Manzarek's book are both his observations of the 1960's time era and his knowledge of Greek and Nietzschian thoughts pertaining to Morrison and Dionysian darkness within the Doors music and creativity. His descriptions of Morrison's early acid trip where he envisioned a Satyr following him down the street; that would be the theme of his Dionysian career in the spirit of music, tragedy, dithyrambs and poetry. And Manzareks thoughts on the 1960's, drug use - it's psychedelic spiritual meaning as opposed to the designer drugs of escapism and the comparison of alcohol, the fundamentalism of the government contrasted the peace loving flower movement of mind expansion are worth reading the book by itself. It was like I was saying such things. His further description on the Satyr and Bacchius; this is coming from an intellectual from the 60's, with perception to see "behind" surface societal and cultural conditioning.
I truly became subjective inside the story, and that's what a good novel is supposed to do. And here it was actual history, a time era, a band, the people, and of course, Jim Morrison, his friend and someone you can see he deeply loved. I felt as though I was sitting in his car with him and Dorothy the day he first heard a Doors song on the radio - "Light My Fire" - and shouted out the window, "There playing our song!" "We're on the f----n' radio!"
Manzarek tells of Jim verses "Jimbo," and I can't help but think of Nietzsche's other personality, the shadow side, that finally consumed him in the end into his 11 last years of insanity. This "Jimbo" is someone spoken of objectively and there is no malice here, but brotherly affection and you can really see that after reading Denzmore's account, which has some accounts not mentioned by Manzarek: one example - that of Jim coming into the Manzarek house/studio late at night, drunk, obnoxious, gesturing, smashing and standing on Manzarek's records with his sandy feet at the beach house they rented where Manzarek lived and the band rehearsed.
I also very much enjoyed Denzmore's "Riders on the Storm" and can say a lot of positive traits of his account. However, I favor Manzareks book for his insights on his experiential meditations, trips, Dionysian comparisons and ultimately his warmness that permeates through the pages. Now Denzmore also had very insightful experiences and thoughts to convey, on the love generation, Edith Hamilton, Michael Harner, Jim Hillman, Joseph Campbell, Robert Bly, a host of others and of course Nietzsche and I also highly recommend Denzmore's book. Both Denzmore's and Manzarek's books complement each other significantly.
I once met Ray Manzarek at a Sci-fi/Movie/Music convention in New Jersey. He was sitting at his own table along with host of other artist's tables. I was with my young son and introduced myself, shook hands, made eye contact. I could feel his energy and that for me is enough. Nothing was said; as if words are ultimately meaningless, unless much is said, and even then, it's only the non-verbal, the power, the Dionysian and essence that has real meaning. All else is interpretation; and lacking at that.
0 of 0 people found the following review helpful.
Some Good Stories
By G. J Wiener
I enjoy reading stories about Rock N Roll Stars. And Ray Manazarek's account of The Doors is certainly captivating. He is a bit harsh on John Densmore but sometimes life in a rock n roll band can bring about adversity. I enjoyed the story about the real happenings on the Ed Sullivan Show. Also it was nice hearing how surprised Ray was when he received his royalty check for Light My Fire. What about the night Jim Morrison was too stoned to play. The guys went on without him and Ray and Robbie somewhat covered for Jimbo on vocals. Also John was in the spotlight and seemed quite happy. The Buick advertisement stories were quite compelling as well.
Ray definitely has a vivid writing style. There are times when he appears creative and other moments(like the beginning fo the book)when Ray sounds like he's tripping on something. Would have also liked to learn more about some of the songs outside of some Dionysan ravings. None the less, Light My Fire is an very good book that most Doors fans will appreciate.
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